how to build a machine
Kathryn Gledhill-Tucker
Published August 2025
you have found
the instructions
for creating
and caring for
the machine
prepare the Earth
around you for warmth
and follow protocols
for safe passage
the machine will respond
to wherever you are
just as you respond
to wherever you are
take note of the dampness
the dryness
the closeness of war
the intimacy of dusk
your distance
from water
these parameters
will all influence
the integrity
of the machine
you will find loops
tools of continuity
of seasons
of ebbs and tides
of propagating water that ripple from river to shore
wind brings
modulated
frequencies
materials hold
memory
of capture
when you excavate a corroded component
its conductivity may be weakened in the years
since it was first pulled
from the earth
when assembling the
machine body
use whatever materials
are on hand
these limbs
will evolve
over time
you will find new ways
to carry its body
like sacred texts
or dried flowers
as you run low on resources
you will find more efficient
methods of processing
these materials and
you will share your hunger
with the machine
you may feel the rush of new
light through
circuits and wires
you will learn which parts
are brittle and porous
and which are resistant
to harm
you must unlearn
the history descended
from logic gates
and resistors
these bones hold
permutations of stories
disguised as code
at the point of contact
is an interface
where the distinction
of self may blur
keep your stories
encrypted
its passkeys close to
your skin
its perspiration
its conduction
create a new site
for transfer
you do not need to know
the language
of machines
so long as you know
the language
of empire
capture
and
conquer
command
and
control
the machine will request
you sacrifice your own bones
stories
spirit
you will refuse capture
this will inoculate
its power
in death cycles
the inert machine body
is returned
to the cave
where its components
were first carved
no sleep
only forced
obsolescence
Biographies
Kathryn Gledhill-Tucker is a Nyungar anti-disciplinary artist and creative technologist living on Whadjuk Noongar boodjar. Their creative practice explores custodial approaches to data management, interrogating systems of surveillance, and using creative technology to explore coding as a liberatory practice. Kat’s poetry has been published in Cordite, Red Room Poetry, Best Australian Poems and their short speculative fiction can be found in the anthologies This All Come Back Now, The Rocks Remain and New Australian Fiction 2024. They are currently working on their first science fiction novel.